I’m proud to announce that the book “The Writing Irish of New York”, which includes an essay I wrote, is available for purchase in hardcover. The book, which was conceived and edited by Colin Broderick, is now available at Amazon. You can click here to order now  

They’ll be an official book launch at the Irish Arts Center in  Manhattan on December 6th.

In the ten years following the Great Famine Irish flooded into New York at an astonishing rate.  By 1860 one in every four New Yorkers was Irish, and by the 1920s Irish-American authors like Eugene O’Neill and F. Scott Fitzgerald had transformed the American literary landscape and lay the foundation for a century that would put Irish writing at the forefront of American letters.

This series of essays by and about Irish-American writers traces that heritage from it’s humble origins through the twentieth century. Editor Colin Broderick provides background essays on Brendan Behan’s New York, Maeve Brennan’s heartbreaking decent into madness, Frank McCourt’s rise from school teacher to literary phenomenon, and 23 of today’s top Irish-American authors—including Colum McCann, Peter Quinn, Luanne Rice and Dan Barry—provide personal accounts of how they found their voices in the Big Apple. Taken together, the stories provide a vivid portrait of a community of authors who continue to fight for Ireland’s place at the top of literary canon. 

There is a fine green thread that binds them all. These are The Writing Irish of New York.

The Writing Irish of New York includes original essays by:

Peter Quinn, Luanne Rice, Larry Kirwan, Kathleen Donohoe, Daniel James McCabe, Mike Farragher, Malachy McCourt, Don Creedon, Maura Mulligan, Kevin Holohan, Kevin Fortuna, Christopher John Campion, Dennis Driscoll, Billy Collins (poem), Honor Molloy, Colum McCann, John Kearns, Charles R. Hale, Dan Barry, Seamus Scanlon, Brain O’Sullivan, Mary Pat Kelly, and Colin Broderick.

And essays by Colin Broderick on:

Maeve Brennan, Frank McCourt, Eugene O’Neill, Jimmy Breslin, Frank O’Hara, J.P. Donleavy, John F. Kennedy Jr., Brendan Behan and Oscar Wilde.


“Jazz in the City” — A Charles R. Hale Production.

In a place like New York City, experiencing the past can be illusive…things often disappear…but there are exceptions. You might gaze into a mirror in some gin mill, perhaps the same mirror your great grandfather gazed into seventy-five years ago. A neon sign your grandmother walked under fifty years ago may show up as a wall decoration in your favorite eatery. A statue your mother noticed in front of City Hall may end up in a Brooklyn cemetery. That’s New York. 

Hearing the music they listened to, seeing images of the sights that surrounded them and hearing the extraordinary stories of the ordinary folks who came before us, provides a roadmap to life as a New Yorker in another era and time.
Charles R. Hale Productions aims to capture the spirit of the past through, live music, dance, theatre pieces and imagery from the nineteenth century when immigrants were arriving by the thousands, through the twentieth century when New York was exploding with energy and beginning to shape our future.  

 You can experience the uniqueness that is New York through our: 
            •          Theatrical performances
            •          Film
            •          Musical concerts
            •          Hosting/Emceeing/Curating events 
            •          Staging of Corporate Events

 Charles R. Hale Productions:

“Crossing Boroughs” at the Museum of the City of New York

Laura Neese in “New York City: A Shining Mosaic” at Pier A Harbor House.

Niamh Hyland in “A Musical History of the Lower East Side” at BMCC Tribeca. 


From the time I was a young boy growing up in New York, I was fascinated by the connection between music, imagery and history.  Pure and simple…that’s my passion.

“Breathing of an ancestor’s space and time,” is a phrase I often use when describing my passion. Accordingly, my objective is to create historical “New York experiences,” not only for New Yorkers, but for all its visitors as well. What was it like growing up in nineteenth and twentieth century New York? What was it like for our parents and grandparents who grew up and experienced the city through two wars? What was it like for our ancestors, who arrived at the docks of New York, hungry, exhausted and dressed in rags?

I’m a cultural and musical historian by education, but I focus on blending, imagery and performance art to create uniquely New York experiences. My historically-themed shows, including “Crossing Boroughs,” which was recently performed at the Museum of the City of New York,  “The Musical History of the Lower East Side,” and “New York City: A Shining Mosaic” incorporate story, music, imagery and dance.


Over the past three years I have performed “Jazz and the City” on the New York scene, which features narration and David Raleigh’s jazz quartet in a musical tribute that transports the audience back in time through personal recollections, anecdotes and stories of the artists and musical geniuses who created the great American Songbook and made New York City the jazz capitol of the world. Currently, I am working on a new presentation “The Blues Meet Jazz…in the City,” which will premiere in the Spring.

In 2017, 2018 and 2019, I introduced a series of shows at The Cell in New York City called respectively, “New Yorkers: Together in Story and Song,” “Thoroughly New York,” and “Classically Exposed: From Carnegie to The Cell,” which featured performers who now reside in New York, but who came to America from all over the globe, including Japan, Argentina, Peru, England, Ireland, Germany and China.  New York City has always been a melting pot and the home for aspiring artists. The arts, particularly music, have also been a melting pot, a cultural melting pot of antiquity, an integral component of human civilization that has been shared between cultures for the millennia.

I enjoy emceeing and curating events, including Showcases for Artists Without Walls, an organization I cofounded with Niamh Hyland. Niamh and I have always been inspired by the flowering of artistic achievement, which often arises when cultures come together, thus, we founded Artists Without Walls, which is purposed to inspire, uplift and unite people and communities of diverse cultures through the pursuit of artistic achievement.

Other similar roles include emcee and curator at OurLand Fest at Lincoln Center, curator for Irish Stand, 2017, a grassroots movement devoted to civil rights protection for all immigrants, and Masters of Ceremony for “The Dean’s Award 2015” at Lehman College.

One of many great moments in the last few years was meeting with and interviewing singer-songwriter Judy Collins and creating the film “Walls We Are Not Forgotten,” about her life.  The film was presented at the 2012 Eugene Neill Award ceremony, which honored Ms. Collins work in the arts and humanities.

I also enjoy lecturing at college campuses. Currently I have a lecture series at Lehman College as part of the City and Humanities Program which centers on immigration and family history, “Bringing, History, Music and Story Together in a Digital World.”


Behind the scenes from the filming of “A Moment”