THANK YOU to “CLASSICALLY EXPOSED’S” EXECUTIVE PRODUCERS

A special note of gratitude to the generous Executive Producers who have made “Classically Exposed: From Carnegie Hall to The Cell” possible. Thank you Tom Myles, Gail and Joseph McElligott, John Moran, Michael Fletcher, Chris Grygon, Seunghee Lee, Clarinet/Sunny Kang, and David S. Goldman.

Featuring the Verona Quartet, Manhattan Chamber Players, Renato Diz, Yuri Juárez, Clare Maloney, Nicole Zuraitis, Jiin Yang, Wayne Weng, JP Jofre, and Empire Wild  

Next Show: From Opera to Pop to Jazz, June 28, 7:30pm at The Cell featuring Grammy nominated Nicole Zuraitis and Clare Maloney. For tickets and information CLICK HERE

THE VERONA QUARTET at THE CELL: DAZZLING PERFORMANCE

A wonderful performance in a most “New York setting” last night–The Cell Theatre at dusk–featuring the Verona Quartet, with from left Jonathan Ong, Abby Rojansky, Jonathan Dormand and Dorothy Ro with a special guest appearance by Seunghee Lee, Clarinet/Sunny Kang. A Charles R Hale/Musica Solis presentation. Photo by Tom Myles

The Verona Quartet/Jonathan Ong, Abigail Rojansky, Jonathan Dormand and Dorothy Ro.

VERONA QUARTET: “CLASSICALLY EXPOSED: FROM CARNEGIE HALL to THE CELL”

Join us on Friday, May 10, 7:30pm for the third edition of “Classically Exposed: From Carnegie to the Cell” featuring the Verona Quartet: Dorothy Ro​/Violin, Abby Rojansky​/Viola, Jonathan Ong​/ Violin, Jonathan Dormand​, Cello and special guest Seunghee Lee/clarinet. Another evening of classical music as you haven’t heard it before.

Hailed by The New York Times as an “outstanding ensemble,” the Verona Quartet is dedicated to showcasing the art form of the string quartet and to elevating their music making to convey the poetic narrative of storytelling.

For tickets and info CLICK HERE. The Cell Theatre is located at 338 West 23rd St. Doors and bar at 7:00pm, 

For tickets and additional info click here

Nancy Manocherian​’s “the cell​” presents Charles R Hale Productions/Musica Solis Series, “Classically Exposed.” With artistic director Seunghee Lee, Clarinet​ (Sunny Kang​)

“Inside snugandevil. i was sitting in mcsorley’s” E.E CUMMINGS on McSORLEY’S

Darkness it was so near to me, i ask of shadow won’t you have a drink? (the eternal perpetual question)

Inside snugandevil. i was sitting in mcsorley’s It, did not answer. outside. (it was New York and beautifully, snowing….

—-

From “I Was Sitting in McSorley’s” by E.E. Cummings

“McSorleys Stove” photo by Charles R. Hale

VERA MAURA’S PHOTOS: “CLASSICALLY EXPOSED: CARNEGIE HALL to THE CELL”

Vera Maura’s photos, “Classically Exposed: Carnegie Hall to The Cell.”  A Charles R Hale Productions/Musica Solis presentation. 

Michael Katz and Luke Fleming

 

Michael Katz and Seunghee Lee

 

JP Jofre and Michael Katz

 

Emily Daggett Smith

Brendan Speltz

Pablo Cafici, Emily Daggett Smith, Brendan Speltz, JP Jofre, Michael Katz, Luke Fleming and Seunghee Lee

 

Emily Daggett Smith, Brendan Speltz, Seunghee Lee, Michael Katz and Luke Fleming

CLASSICALLY EXPOSED: FROM CARNEGIE HALL to THE CELL by VINCENT NAUHEIMER

“Classically Exposed: From Carnegie Hall to the Cell” 

Opening Night 

by Vinnie Nauheimer

—–

Photos by Vera Maura 

—–

 “Classically Exposed: From Carnegie Hall to the Cell” opened at The Cell this past Wednesday. There could be no greater example of synergy—the interaction or cooperation of one or more elements that produces an outcome greater than its individual components. Who cannot imagine the difference between an unaccompanied operatic aria or piano solo, as opposed to the richness of the same works performed with a full orchestra? When Charles R. Hale and Seunghee Lee (Sunny) got together to collaborate on and produce “Classically Exposed: From Carnegie Hall to the Cell” you knew the outcome would be synergetic magic. These two share a number of traits: a love of music, storytelling and a strong desire to help young artists achieve their goals. The results of their collaboration were evident throughout the evening.

Manhattan Chamber Players with Clarinetist Seunghee Lee

The program was a rich mixture of classical and contemporary music. In the first half of the program, Lee, accompanied by the Manhattan Chamber Players, beautifully presented three works for clarinet and string quartet. The first work performed was the first movement of Mozart’s “Quintet for Clarinet and Strings,” a historically significant work—it was Mozart’s first quintet for clarinet and string quartet. The piece debuted in 1789 and set the bar for composers to follow. The quintet played the piece with a vibrancy and vitality that I believe would have been worthy of the composer’s praise. Judging by the reaction of the SRO audience, they too would agree.

Michael Katz and Luke Fleming

The next work was Brahms’ “Quintet for Clarinet and String Quartet,” yet another classic. Luke Fleming, the artistic director of the Manhattan Chamber Players, gave a brief history of the piece noting that Brahms was so taken with Richard Mühlfeld’s clarinet performances, that Brahms, who was in a compositional slump at the time, was once again able to compose music. He began to focus on works for clarinet and strings. Fleming quipped that most great composers had only written chamber music for string quartets…until they heard a virtuoso clarinetist. The melodious sounds of the first movement were masterfully interlaced throughout the work by this very fine ensemble.

JP Jofre

The final piece of the first segment was the fourth movement of Weber’s “Clarinet Quintet.” Weber, known as the father of romantic opera, like Brahms, befriended a magnificent clarinet virtuoso, Heinrich Baermann and, as they say, the rest is history. The main difference between Weber’s quintet and the above pieces is that the clarinet has center stage in Weber’s work with the quintet supplying the accompaniment rather than equal roles for each.  Sunny was certainly up to the task, brilliantly taking the lead required by this piece, exhibiting the full range of her abilities.

 All three pieces ended in a burst of spontaneous applause both, I believe, for the musicians’ virtuosic performances and the composers’ compositions.

The second half of the show focused on contemporary sounds, which were performed by the Manhattan Chamber Players and Lee, as well as two additional performers,  bandoneonist JP Jofre and pianist Pablo Cafici.

Brendan Speltz and Emily Daggett Smith

Jofre composed the first piece “Tangodromo” with a definitive tango sound, while merging traditional classical instrumentation with a Latin beat. Although adding a piano to a clarinet may not be unusual, Jofre’s new and fresh music allowed the musicians an opportunity to showcase their varied talents in a piece that was “spicy” and full of Latin flavor. Kudos to all the artists for stepping out of what might be a classical musician’s comfort zone to help create a new and exciting piece of music.

The second piece, another example of musical synergy, was the first and second movements of JP’s “Double Concerto for Clarinet and Bandoneon.” Jofre and Lee stated that the work has an additional  movement that they are currently writing. If the third movement is as good as the first and second, this piece is a short way from a classic. Marvelous work and a wonderful performance.

Seunghee Lee, JP Jofre, Charles R. Hale and Luke Fleming

The evening ended with another work composed by Jofre, “Primavera.” The work showcased modern rhythm and sounds with classical undertones. A brilliant performance. 

As an audience participant, I say, “Hat’s off to all for providing a wonderful, joyous evening of music.” If the opening night of “Classically Exposed: From Carnegie Hall to the Cell,” is an indication of the shows to come, last evening’s performance portends well for the series’ subscribers as well as those who can land a ticket.

All photos by Vera Maura